Pro tools 10 mac system requirements

Your first port of call should be your Avid Master Account. You will then see a list and you will see a list of your products, that will look a bit like this depending on what products you have. My list actually goes all the way back to a Pro Tools 6LE to 7. If you click on one of the entries, in this case below, my Pro Tools HD 7. This document has details and links back to Pro Tools 7.

Another question we often get asked is about whether you can use an old version of Pro Tools on a current computer with a current version of the OS, or conversely, can you use the latest version of Pro Tools on an older computer.

Installing Pro Tools 10 on Mojave - Avid Pro Audio Community

Our advice is that you should match the version of Pro Tools with the corresponding supported operating system versions. To do this, check the compatibility information below and find out which version of the Mac or Windows operating system was supported for that version of Pro Tools, and choose one of those supported operating systems. If you need a newer version of your operating system for other software then you should upgrade Pro Tool to a version that is supported for that version of the operating system.

Deviating away from this recommendations is likely to cause you problems and not be reliable as Pro tools, like any software is looking for hooks in the operating system to access certain parts of the system. These hooks change with different versions of the OS and so Pro Tools, or any other software, cannot find the hooks into the OS it is looking for and that usually causes crashes. Buying into Pro Tools, in whatever capacity, will mean your projects have the largest potential compatibility base, should you want to work with other musicians, forward a project to a producer, or hire a mixing engineer that wants to look at the actual track data and plug-ins you used, and not just a stack of tracks you exported as individual audio files.

Pro Tools has always been a little slow at adopting features from other DAWs, though; remember how long it took to get plug-in delay compensation, offline bouncing, and bit compatibility. And as mentioned earlier, Avid takes longer to certify new hardware and OSes for use with the current version of Pro Tools. It's a bit slower moving, this juggernaut of a platform, but in the end it usually means more reliability for professional use.

Speaking of which, Pro Tools has a reputation for being rock solid with audio editing, mixing, and post-production, and less-than-solid with third-party virtual instruments; this has not changed much over the past several years. I never have trouble with Avid's own instruments, though. The usual rule about software patches over time applies; stay current and check in regularly with your audio interface and third-party plug-in vendors for updates. Several other programs on the PC side, notably Studio One Professional and Cockos Reaper , also offer multi-track audio recording and editing for significantly less money than Pro Tools as well.

Studio One's workflow in particular is better suited to individual musicians composing tracks, or mixing smaller sessions in a project studio.

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It's tough to beat Reaper's amazing value and extremely light memory footprint. And Magix Samplitude Pro X4 offers a path to a professional mastering platform as well. Avid needs to watch its back on the lower end and midrange portions of the market much more closely these days. But make no mistake: Pro Tools still holds court as the standard-bearer for cross-platform, high-end digital audio workstations, from bedroom studios right on up to the largest recording studios and post-production houses in the world.

Bottom Line: Avid stays the course with Pro Tools and maintains its status as the standard cross-platform solution for professional audio editing work for music, film, games, and broadcast. He's also written three books. Before ExtremeTech See Full Bio. This newsletter may contain advertising, deals, or affiliate links.

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Place Of Dreams

Pros Still the cleanest audio editing workflow on the planet. Cons Lacks built-in pitch correction. Bottom Line Avid stays the course with Pro Tools and maintains its status as the standard cross-platform solution for professional audio editing work for music, film, games, and broadcast.

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System Requirements

Mac OS X City Beats. I'm no Mac OS guru or anything but why even worry about Maverick? Every review I've read about it just says it's incredibly unstable for audio work. I'm still on Mountain Lion with no problems what-so-ever and one of my friends is still running Snow Leopard.

Are you wanting to upgrade just because it's the new thing to upgrade to or do you have a specific reason? Also, if that came across as cocky or offensive I didn't mean for it too. Just wondering if you know of any positives about Maverick that the reviews I've read don't mention or something. Im using Pro tools Im running it on my old macbook pro as well as the new macbook pro.

I also have use it fine on a mac mini and mac pro with no issues. Got to stay up to date with my external synced devices. My wife is on Mavericks, I'm on Mountain Lion. Her issues like the buggy sleep non-wake up deal would drive me crazy. Stay on Mt. Lion IMO. Originally Posted by rockrev.

Originally Posted by guitargodmiles. Originally Posted by City Beats. Matt Hepworth. My Studio. Mavericks absolutely killed my portable rig. Studio rig stays with ML. I have both PT I have never had any issue with any plugin and some are only validated to work till Snow Leopard , only the typical no avaliable AAX 64bits version of some of my plugins the reason why I still I'm working in PT But it was so annoying that I am probably just paranoid.

Also I am worried about my other multimedia production suites as well At least, I won't make the change - until I have all my reel to reels working. All kidding aside, I always wait some time before jumping into those waters.

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  7. Although the next time I jump, I will likely ditch ProTools once and for all for another solution.